In Leonard’s quest for revenge, the possibility of
manipulation by others is fairly obvious to the audience (and even Leonard
himself), and speculating who around Leonard is manipulating him is an
interesting and necessary conversation. Let us not, however, ignore another important
form of manipulation that occurs in this movie, self-manipulation. Every time Leonard loses his memory, he has
to, in a sense, recapture his identity, and he tries his hardest to make sure
that he will always remember his wife’s death.
They say everything heals with time, but with Leonard, his
rage will never go away. After every
memory lapse, he will “wake up” clueless, and as he gains bearings of his
surroundings, something, whether it is the tattoo inked across his chest or the
documents in his hands, will trigger those same feelings of anger. Perhaps the tragedy of the situation is that
the desire for revenge will never get old.
Imagine feeling intense feelings of anger every 15 minutes or so, and
one can get a sense of Leonard’s life.
Even when he fulfills his revenge and gets another tattoo to remind him
of that, every memory lapse results in new feelings of grief for the woman that
revenge cannot bring back.
This post takes on a lot of new meaning in light of the ending. Self-manipulation is a crucial aspect of Memento; Leonard manipulates himself into believing that Teddy is his wife's killer, and sets the second half of the plot into motion. This is not the first time that Leonard has manipulated himself; he has killed other men just to help himself cope with his disorder.
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