Most readers of Vonnegut are familiar with the fictional city
of Ilium, NY. The city appears in many of Vonnegut’s works including Slaughterhouse-Five, Cat’s Cradle, and Piano Player (among others). There are a few specific sites and
buildings to which Vonnegut frequently refers including Ilium High School and the
General Forge and Foundry Company. In Cat’s
Cradle, Ilium, NY is the hometown and scientific playground of Dr.
Hoenikker, the eccentric father of the atomic bomb. The Del Prada Hotel, the
Cape Cod Room, the graveyard, Jack’s Hobby Shop, and the tombstone salesroom
are introduced into Ilium’s vast collection of settings by this novel. It has
been proposed that Ilium could actually be a simple pseudonym for either Troy,
NY or Schenectady, NY, but this proposition lacks validity as both cities are
described as explicitly separate from Ilium in Vonnegut’s Piano Player. However, descriptions of Ilium do suggest that the
city is very much like Troy and Schenectady, and that it would be in a similar geographic
area of the state were it real. This completely constructed
setting allows Vonnegut to create a city as fanciful or mundane as he so
chooses. It is true that Ilium is a common thread throughout Vonnegut’s repertoire,
but the question that I have to ask is why
does Vonnegut tie his characters and novels together with the use of this city?
Why does Billy Pilgrim live in Ilium? Why Dr. Hoenikker? Why Kilgore Trout? One
possible answer is very simple: by
having one setting span a range of works, those works gain a level of perceived
reality that the novels, were they all set in separate fictional locations,
could never achieve. Although none of the works that involve Ilium belong to a
series, they belong to the same universe by means of a common setting, and this
adds an entirely new dimension of believability to Vonnegut’s works.
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