I think we’ve
beat the dead horse on the issue of if House
of Danger should stay in the curriculum. I thought about writing a post
against keeping it in the curriculum, just to play devil’s advocate. But I
wholeheartedly agree with everyone else (for all the same reasons) that it
should stay. So that’s enough of that. As Jessi pointed out, Janelle telling us
to write on that subject is manipulation, so I’m choosing to write on something
else.
In writing
my chapter addition to House of Danger, I
truly realized how powerless the reader is in that book. I know we talked about
it in class, but I didn’t completely buy it. I felt like at least I had more
control of the story than in linear novels. Once I wrote some for myself, I
learned that all of the power is with the writer. I gave my readers two options
to escape the chimpanzees at the beginning of my new chapter, and proceeded to
write an alternate ending for each option. It turns out, the choice doesn’t really
matter: the ending does not depend on the choice. There are infinite
possibilities for each option. In fact, I could easily switch which ending I
paired with which option and it would still make sense. I could change the
reader’s options and still manipulate it to end in the way I wanted. I already
had two endings in my head that I wanted to write. All I had to do was make up two
arbitrary choices for the reader and attach my endings to them. As the writer,
I controlled it all. While it’s true that the reader does have a choice (definition of choose: to select
from a number of possibilities), the reader ultimately has no control. The
choice is just a way to get to an ending, dictated by the author, which may
have absolutely nothing to do with the choice itself.
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