Monday, February 17, 2014

The Morphing of fact and Fiction in The Things They Carried

            After the war in Vietnam, thousands of courageous and valiant American soldiers returned home to the United States. Those who were not stricken with physical disabilities often suffered from mental ones such as post-traumatic stress disorder. Instead of being treated as heroes like the veterans of World War II, Vietnam veterans were often met with indifference and even scorn, as the US failed to achieve their goal in the war. Some of Tim O’Brien’s stories in The Things They Carried address these issues directly, such as “Speaking of Courage.” Throughout the novel, O’Brien morphs reality with fantasy, leaving the reader with the same feelings that US soldiers experienced before and after the war in Vietnam.

            In The Things They Carried, readers are instructed how to tell a true war story. However, despite the word “true” being in the title of the chapter, O’Brien states that it is difficult to tell what really happened in these stories, and that the surreal nature of a war story “represents the hard and exact truth as it seemed” (68). This paradox defines The Things They Carried and makes it such a tantalizing set of stories. As a reader I honestly do not know whether or not Tim O’Brien ever killed a man in the war. I do not know if Rat Kiley really killed the baby water buffalo, despite having the whole process explained to me in vivid detail. Tim O’Brien manipulates the reader in this way, just like the mysterious and dangerous nature of the Vietnam War manipulated everyone involved with it.

1 comment:

  1. I enjoyed reading this post because this definitely speaks to part of the meaning of this book. Whether or not these exact stories are "true" or "really happened," there were many veterans who returned home and felt these same feelings and had similar stories. While I understand that some people feel cheated when they realize that these stories are fictional, I do not feel cheated because I believe the emotions that these stories evoke are far more important and are not fictional. The chapter How to Tell a True War Story is so powerful, and although we do not know whether or not Tim O'Brien killed a man or if Rat Kiley killed a baby water buffalo, in my opinion, these occurrences do not matter because they are real enough and display raw emotions that someone may have felt over losing their best friend in the war. I fully agree with your last sentence that we are manipulated as readers just as the Vietnam War manipulated those fighting in it. Many lives were either changed or ended, and this book shows what happens when lives are lost or changed.

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