Vonnegut
carefully chose to add a pretext to this novel in an attempt to catch our eyes
before we are even given a chance to begin reading: “Nothing in this book is
true.” A pretext, by definition, is a reason given in justification of a course
of action that is not the real reason. So before the narrative even begins, we
are faced with a statement intended to be misleading. Vonnegut has already
hinted at the core of his novel: we must use ridiculousness to create a shelter
from reality. He tells us to live by harmless untruths, convincing us that
there exists a disguise that is blurring the line between truth and lies. This
falsehood indicates that this novel is essentially all a game; is Vonnegut
drawing us into his own game of cat’s cradle?
The cat’s cradle
serves as a symbol for the novel’s exploration of both truth and lies. Some
characters tell themselves lies to create a false reality of happiness, similar
to the way a child is able to envision the cat and the cradle to enjoy the
game. Others see reality clearly, just as some see the X’s the string makes
because that’s simply the truth of the matter. So, just as the game of cat’s cradle,
this novel is seemingly a lie. We are told that from the beginning. Vonnegut wants us to
know that the story he has created is simply words he put together that are intended
to mean something. But what determines whether or not it is composed of lies? Being a fictional novel, we are already aware that the events are made up. So why does Vonnegut add the pretext? He is reeling us into a game and manipulating us to decide whether he has simply written a bunch of lies, or if there is a truthful meaning within the pages. While reading this novel we must question ourselves: can we
accept the lies as truth, or even just find the truth among the lies, or should we
simply dismiss the work as a piece of fiction?
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