Monday, March 10, 2014

Where's the Trick?

 The beginning of Foe, which instantly captured me with the line "At last I could row no further" has a different effect after finishing part two. As we learn in the second section of the book, Susan Barton has been manipulated to tell a certain type of story by Foe. In this second section he almost becomes more prominent to the story than her time as a castaway. The book is titled after him meaning he must have a great influence on the narrative. She almost obsessively writes letters to him by the end of the section, and the entire chapter is formed around dialogue. This causes me to question whether or not she is a reliable narrator and because of the context of our class, how are we being manipulated? There doesn't appear to be a clear intention by the author to trick us or teach us something. Unlike "Grizzly Man," Cat's Cradle, and The Things They Carried there is no element of misguidance or trickery. I'm wondering where the construction of characters will come into play and when we'll be caused to question the reality of things. Her original purpose for the expedition was to find her daughter, but now that all appears unimportant. She is distracted by her new life and the loss of Cruso enough to forget her original motivations and realities.

1 comment:

  1. I think you brought up a really good point. I'm also interested to discover the manipulation and trickery of the story. I think we touched this in class when we discussed Susan's daughter. Both the appearance of the daughter and Susan's reaction to seeing the daughter showed construction and manipulation in the story. Did Foe send the daughter? If that's the case, we see how Foe is constructing Susan's story. Also, Susan didn't recognize her own daughter. That might be because the daughter she has constructed in her head is lost, and not supposed to be found yet. That is an example of how Susan is manipulating her own story.

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